concrete

Installation
The Voice of Inconstant Savage
Commissioned for the Engawa – Japanese Contemporary Art Season programme organized by Calouste Gulbenkian Museum's Modern Art Center, The Voice of Inconstant Savage is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings
Sombat Simla: Master Of Bamboo Mouth Organ
Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Event/Workshop
Gong Therapy
Raw and remixed field recordings of gong orchestras throughout southeast Asia. Recorded, assembled, and remixed by Yasuhiro Morinaga for Radio is a Foreign Country. Yasuhiro Morinaga is a sound artist and filmmaker living in Tokyo. After graduating Tokyo University of the Arts, Yasuhiro has carried out field recording expeditions documenting the origins of musical instruments and the soundscapes of shamanic healing rituals throughout southeast Asia (see www.the-concrete .org). PLAYLIST Ambience: (Toraja group), Rambu Solo (Funeral ceremony) from Toraja, Sulawesi Island Tau Dou / (Tau Humba group), Sumba Island Harvesting / (Tau Humba group), Sumba Island Funeral / (M’nong + Krung groups), Mondalkiri, Northeast Cambodia Ma Badong Chanting / (Toraja group), Toraja, Sulawesi Island Gong Practice by Yasuhiro Morinaga / Bali Island Manang Sirang - chanting / (Dayak Iban group) West Kalimantan, Borneo Island Cut the Bamboo, / (M’nong Prang group), Central highland of Vietnam Hail / (Ede group), Central Highlands of Vietnam Guarding Rice Seeds / (Makassar group) Makassar, Sulawesi Island Daily Routine for everyday life / (Krung group), Ratanakiri, Northeast Cambodia Hedung Dance / (Lamaholot group), Flores Island Balangbang / (Kanakanaey group), Northern Luzon Island A Month after the Death / (Bahnar group), Central Highland of Vietnam Sole Oha Ritual / (Lamaholot group), Flores Island Hsaing Waing Remixes by Yasuhiro Morinaga, Yangon, Myanmar Ambience: (Toraja group), Rambu Solo (Funeral ceremony) from Toraja, Sulawesi Island

Performing arts
The Seen and Unseen
One day, Tantri comes to realise she will not have much more time with her bedridden twin brother Tantra, who is losing his senses one by one. Grappling with this reality, Tantri finds solace in the deepness and the darkness of night. Under a full moon, she dances, finding herself between reality and imagination, loss and hope. Tantri experiences a magical and emotional journey into womanhood that eclipses Tantra’s fading life. The Seen and Unseen (Sekala Niskala) is a new performance work, a cross-cultural collaboration between artists from Indonesia, Japan and Australia. Inspired by Indonesian filmmaker Kamila Andini’s film The Seen and Unseen, which has been described as “a truly singular film” (Cinema Scope) and “a haunting and hypnotic interpretation…rooted in Balinese arts and culture” (Variety). This dance-theatre production is a visual feast incorporating dance, live music and song, and features an electronic score, creating a blend of traditional Balinese dance movement with a contemporary approach to theatre. Driving this production is the Balinese philosophy of Sekala Niskala (“the seen and unseen”), a fundamentally dualist spiritual structure that describes what we cannot see as having equal value to what is seen in the world.

Performing arts
To Belong
インドネシア×日本国際共同制作プロジェクト。コンテンポラリーダンス、伝統舞踊、武術、それぞれのアーティストのもつバックボーン・・・鋭敏な身体感覚同士の新鮮な出会いが巻き起こしていく磁場。インドネシアの伝統や神秘的ともいえる生命力あふれるエネルギーと、現代表現を融合を試み、新たなる舞台空間の創造へと臨んだダンス作品。