concrete

Installation
The Voice of Inconstant Savage
Commissioned for the Engawa – Japanese Contemporary Art Season programme organized by Calouste Gulbenkian Museum's Modern Art Center, The Voice of Inconstant Savage is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings
Sombat Simla: Master Of Bamboo Mouth Organ
Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Field recordings
Gong Culture of Southeast Asia「Co-Ho」
The Co-Ho people are an ethnic group living in the southern part of the central highlands of Vietnam. They speak a Mon-Khmer language. Co-Ho are animists who make a division between two types of supernatural spirits: the first type, with human characteristics, is called "Yang" - these are gods which are worshipped during ceremonies and important rituals to prevent from bac luck, which is represented by the second type of spirits, called "Cha" = devils. The music of Co-Ho people serves different rituals and thus there are different styles of gong music, played on both flat and knobbed gongs. Usually an ensemble consists of six gongs. On this recording, the number of gongs ranges from 2 to 6. On the occasions where music is performed in duo(such as first track), a small ritual is conducted as a means to show respect to the ancestors. This particular track is quite rare and consists of improvisation and call&response. If one of the gong players is unable to follow the other one, the player who fails to follow needs to drink rice wine from the vase. For this album, two locations for 2 groups in total were visited. One of the groups had forgotten how to play gong music: they had a new member and they had not practiced for a while, being busy with their daily lives (track 6&7). The other group played gong music well: this ensemble was constituted of members of the same family, who often meet and play together (track1-5).

Outland ethnologies
HOKKAIDO WITH & LIJIANG WITH/OUT
The experiments presented here, Hokkaido With and Lijiang With/Out are, if you will believe it, connected. Think of them as an evolution of inquiries into an artist’s presence or absence in an unfamiliar place, built on both doubt and confidence, both a lack and a surfeit of context. Both projects put pressure on artists by putting them in difficult situations, but by working directly with these problems, the projects and the artists open up new possibilities in their unusual approaches.

Performing arts
Kenta Kojiri + Yasuhiro Morinaga : COROLI
A performative installation that evokes memory Based on the theme of "recording" the "memory" that has been the basis of previous creations, this is an attempt to approach the sense of "flavor" that appears when you visit a certain place. Using the "places" observed and collected by each artist in the theatre, we will try to reconstruct the places that did not coexist, using the sensations and imaginations brought from the space as clues. By inviting the audience to the place of creation, we will guide the existence of a "performative installation" where humans and the environment come and go while further integrating and dismantling.