Installation

The Voice of Inconstant Savage
Commissioned for the Engawa – Japanese Contemporary Art Season programme organized by Calouste Gulbenkian Museum's Modern Art Center, The Voice of Inconstant Savage is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings

Sombat Simla: Master Of Bamboo Mouth Organ
Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Performing arts

MARGINAL GONGS
東南アジアの島々全域で長きにわたり、最も重要な楽器とされてきた青銅器ゴング。人々の間で語り継がれてきたゴングにまつわる説話をモチーフに「過去と現在」「民族と国籍」「聖と俗」「肉体と魂」「時間と空間」様々な価値観を最新のメディアテクノロジーとサウンドデザインで越境する新たな物語。パフォーマー・映像・照明・立体音響、現代アジア最高のスタッフを結集し作り上げる舞台作品『MARGINALGONGS』。

Cinema

Five to Nine
5 to 9 comprises four short films that transpire across 5pm to 9am on the evening of the historic Brazil-Germany match at World Cup 2014, spanning intimate vignettes of unrequited love and final meetings. In China, a young migrant worker has saved 3,000 RMB to finally spend a night with a middle-aged prostitute, but she plans to leave the city the same night instead. In Singapore, a local teacher and his paramour from China are out for a rendezvous, submitting the fate of their future to the result of the football match. The Japanese counterpart centres on a porno-projectionist collecting debts from the punks for the poor. The film concludes in Thailand with the filming of the last scene of a sci-fi movie. Behind the camera, the director is suspicious of his leading actor and the actress who is also his wife.

Performing arts

MEDIUM
Medium is a deeply personal portrait of Rianto the dancer. Featuring himself and Javanese musician Cahwati on a bare stage, the piece goes to the roots of Indonesian traditional dance and music, exploring nature, spirituality and ritual with a stark minimalism. Rianto, who dances barefoot with trance-like concentration, moves from controlled, hypnotic movements to frenzied shaking. In his body, we see a fluid amalgamation which has stored movements from contemporary dance, classical Javanese dance and lengger, a traditional cross-gender dance from Central Java, in which he has trained since young. Accompanying him, alternating between roles as partner, lover, friend and mother, is Cahwati, who plays a variety of instruments and contributes live vocals.