Performing arts

LIFE ENTANGLED
The collaborative project between Yasuhiro Morinaga and Robert Millis proposes a world in which thought and representation are not the exclusive privilege of humans, but also grants prominence to ecosystems and non-human entities. By highlighting the intricate and often invisible connections between humans and the non-human world, this work invites a broader and more inclusive perspective on life, agency, and interdependence, exploring the fundamental question of all life: what does it mean to live? At a time when climate change and natural disasters are driving the world into an unprecedented crisis, we are confronted with the limits of an attitude that views nature and ecosystems as mere exploitable resources. Life Entangled — The Secret Story of Shellac is a performative sound installation that explores the cultural relationship between objects and humans through a multidimensional narrative centered on shellac , a natural resin derived from the insect Kerria lacca , a material deeply rooted in our daily lives.

Installation

The Voice of Inconstant Savage
Commissioned for the Engawa – Japanese Contemporary Art Season programme organized by Calouste Gulbenkian Museum's Modern Art Center, The Voice of Inconstant Savage is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings

Gong Culture of Southeast Asia「Ede-Female」
ベトナム、ダクラク省に居住しているエデ族の中で、唯一女性たちだけでゴングを演奏するグループ、エデ・ビー族のゴング音楽。本作は彼女たちのゴング音楽を5曲(竹笛アンサンブルによる曲が一つ)収録しています。女性の乳房を示すコブ付きゴングのみを使った演奏は、倍音豊かな音色が重層的になりながら共鳴しあい、短いフレーズが反復されていく音楽です。

Outland ethnologies

HOKKAIDO WITH & LIJIANG WITH/OUT
The experiments presented here, Hokkaido With and Lijiang With/Out are, if you will believe it, connected. Think of them as an evolution of inquiries into an artist’s presence or absence in an unfamiliar place, built on both doubt and confidence, both a lack and a surfeit of context. Both projects put pressure on artists by putting them in difficult situations, but by working directly with these problems, the projects and the artists open up new possibilities in their unusual approaches.

Publication

『To Belong』
日本とインドネシアの国際共同によるコンテンポラリー・ダンス作品「To Belong」のオリジナルサウンドトラック。本作品で音楽監督を担当した森永が、国内有数の弦楽奏者やピアニストらとともに、インドネシアのアーティスト達と制作したアルバムである。フィールド・レコーディング、弦楽合奏、ピアノ、エレクトロニクス等に加え、ジャワ語のラップや大衆音楽クロンチョン、ジャワの民族楽器を通じて、デジタル技術を駆使して制作した音楽作品である。