Installation

The Voice of Inconstant Savage
Commissioned for the Engawa – Japanese Contemporary Art Season programme organized by Calouste Gulbenkian Museum's Modern Art Center, The Voice of Inconstant Savage is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings

Sombat Simla: Master Of Bamboo Mouth Organ
Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Event/Workshop

For a Friend, To a friend, …
This piece is dedicated to two Indonesian art masters, Gunawan Maryanto, who died in 2021, one of Indonesia's most prominent poets, with whom Morinaga worked on several projects, and Bambang Mbesur, a vocal artist who died in 2020. The texts were created for the sonic theater project “Gong ex Machina”, by Yasuhiro Morinaga and Yudi Ahmad Tajudin. It is recommended to use headphones while listening to the piece. --TEXT 1 Be my back I am a turtle traveling in time The pounding gong composes the body we inhabit Composing the islands we live in Composing I Composing you. The vibration of the sound harbors the memories of a far and lengthy travel That pounding gong Reverberating time TEXT 2 in the beginning was sound. A bang: be! And then, vibration, a long hum that creates a wave Creating space, and also: time And then nebula, partly clumping up, hardening, becoming planet. Add infinite numbers of planets, add trillions of galaxies. And among them all a little dot, so little it is insignificant: Earth: Us In the beginning was sound A bang and a long hum that create everything within seven days TEXT 3 “Do you hear me? Do you really hear me? Do you understand me? Do you really understand me?” Track List: Javanese instrument, Gender for Ruwatan rituals [recorded in Yogyakarta, Indonesia] Voice by Gunawan Maryanto & Rizman Putra [recorded in Tokyo, Japan] Threshing by Ede-Bih Group [recorded in Dak Lak, Vietnam] Meras Gandrung by Haidi, the Osing Group [recorded in Banyuwangi, Indonesia] Saggeypo by Kalinga Group [recorded in Luzon, Philippines] Pinwheel by Ede group [recorded in Buon Ma Thuot, t, Vietnam]

Installation

Trading Garden
未来のモビリティに乗って過去へサウンドスリップ ヘッドセットをしてホンダのユニカブに乗ると、アークヒルズが昭和の頃のかつての「麻布谷町」へとタイムスリップ。かつての六本木界隈を忍ばせる昭和の生活空間のサウンド、金魚売りや豆腐売りやチンドン屋の声を、実際の外音と共存させながら聴くことで、都市における聴覚文化を考える音のAR作品「Trading Garden 市場の庭」。

Event/Workshop

最後の話し手たち
世界各国津々浦々の現地の音を拾い集めるワールドミュージックに特化したイベントです。世界を舞台に活躍を続ける写真家の田原桂一氏、アジアを中心にフィールドワークを実践しながら様々な音楽制作を行うサウンドデザイナー森永泰弘氏、日本のアヴァンギャルドミュージックシーンを切り開いてきた灰野敬二氏の3方をゲストセレクターに招き、ゲストバーテンダーとしてファッションシーンを牽引する長瀬哲郎氏がおもてなし役をします。