concrete

Installation
The Voice of Inconstant Savage
Commissioned for the Engawa – Japanese Contemporary Art Season programme organized by Calouste Gulbenkian Museum's Modern Art Center, The Voice of Inconstant Savage is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings
Sombat Simla: Master Of Bamboo Mouth Organ
Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Field recordings
Gong Culture of Southeast Asia「Co-Ho」
コホ族はモン・クメール語系に属しており、ベトナム中部高原地帯の南部に居住しています。本作はベトナムのラムドン省にある二つの集落で収録したゴング音楽になります。コホ族はアニミズムを信仰しており、生活におけるあらゆるものが神霊(Yang)と悪霊(Cha)に分けられるといい、音楽と儀礼が密接に関係している民族だといえます。今回、録音するために訪問したある家では、ゴングを演奏する際に神霊(先祖)に演奏の許しをもらうための儀式を行なっていました。この儀式では、酒壺の中に入った木屑を部屋のあちこちの壁にくっつけ、演奏者たちが神霊(先祖)に祈りを告げていくというものでした。この儀式の後に、2つのゴングを交互に演奏していく即興によるゴング音楽(トラック1)は素晴らしく貴重な録音だったといえます。また、彼らが演奏するゴングの数は2つ、3つ、4つ、5つ、6つと多岐にわたっており、インターロッキングによる奏法を使った見事な演奏でした。今回レコーディングさせていただいたコホ族のある民家では、頻繁に演奏者同士が集まって練習すると言っていましたが、もう一つのゴングの演奏グループは、新メンバーが加わり、練習時間もろくになかったために満足いく演奏ができたのは数曲だけだったと残念がっていました。その数曲がトラック6と7になります。

Cinema
The Cloud of Unknowing
The Cloud of Unknowing
Ho Tzu Nyen’s multichannel video installation The Cloud of Unknowing (2011) explores the expansive subject of the representation of the elusive and amorphous cloud. Inspired by philosopher Hubert Damisch’s thesis on the form’s aesthetics and symbolism, A Theory of /Cloud/: Toward a History of Painting, first published in French in 1972, Ho’s work incorporates a set of eight compartmentalized vignettes, each centered on a character that stands for the cloud’s representation in historically significant Western European artworks by artists including Caravaggio, Francisco de Zurbarán, Antonio da Correggio, Giovanni Lorenzo Bernini, Andrea Mantegna, and René Magritte, as well as the Eastern landscapes of Mi Fu and Wen Zhengming. This incorporation and blending of cultural, historical, and philosophical references, both Eastern and Western, is prevalent in Ho’s practice, which references painting (EARTH, 2009), pop music (The Bohemian Rhapsody Project, 2006), literature (The King Lear Project, 2008) and philosophy (Zarathustra: A Film for Everyone and No One, 2009).

Event/Workshop
For a Friend, To a friend, …
This piece is dedicated to two Indonesian art masters, Gunawan Maryanto, who died in 2021, one of Indonesia's most prominent poets, with whom Morinaga worked on several projects, and Bambang Mbesur, a vocal artist who died in 2020. The texts were created for the sonic theater project “Gong ex Machina”, by Yasuhiro Morinaga and Yudi Ahmad Tajudin. It is recommended to use headphones while listening to the piece. --TEXT 1 Be my back I am a turtle traveling in time The pounding gong composes the body we inhabit Composing the islands we live in Composing I Composing you. The vibration of the sound harbors the memories of a far and lengthy travel That pounding gong Reverberating time TEXT 2 in the beginning was sound. A bang: be! And then, vibration, a long hum that creates a wave Creating space, and also: time And then nebula, partly clumping up, hardening, becoming planet. Add infinite numbers of planets, add trillions of galaxies. And among them all a little dot, so little it is insignificant: Earth: Us In the beginning was sound A bang and a long hum that create everything within seven days TEXT 3 “Do you hear me? Do you really hear me? Do you understand me? Do you really understand me?” Track List: Javanese instrument, Gender for Ruwatan rituals [recorded in Yogyakarta, Indonesia] Voice by Gunawan Maryanto & Rizman Putra [recorded in Tokyo, Japan] Threshing by Ede-Bih Group [recorded in Dak Lak, Vietnam] Meras Gandrung by Haidi, the Osing Group [recorded in Banyuwangi, Indonesia] Saggeypo by Kalinga Group [recorded in Luzon, Philippines] Pinwheel by Ede group [recorded in Buon Ma Thuot, t, Vietnam]