concrete

Installation
The Voice of Inconstant Savage
Commissioned for the Engawa – Japanese Contemporary Art Season programme organized by Calouste Gulbenkian Museum's Modern Art Center, The Voice of Inconstant Savage is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings
Sombat Simla: Master Of Bamboo Mouth Organ
Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Concert
A Widow in Batavia
『A Widow in Batavia(バタヴィアの未亡人) 』は、17世紀に長崎で生まれた日蘭混血女性のコルネリア・ファン・ネイエンローデ (Cornelia van Nijenroode)をテーマにした作品。大航海時代のアジアの島嶼部で使用された「じゃがたら手紙」やマレー語による伝統詩「パントゥン(Pantun)」のテクストを扱い、環境音や弦楽四重奏、ピアノ演奏を重層的に扱いながら立体音響装置を駆使したアンサンブルのコンサート作品である。

Cinema
渦
The Autumn Festival of Dogo, one of the most violent religious festivals in Japan, takes place each year in the town of Matsuyama on the island of Shikoku. From the meticulous preparation to the battle, it is above all an immersive plunge into a mysterious and abstruse ceremony reported by Gaspard Kuentz (to whom we owe notably Kings of the Wind & Electric Queens, co-direct- ed with Cédric Dupire, VdR 2014). Alternating between external and distant viewpoints – such as the women leaning on the balcony to watch – and the perspective of an on-board and subjective camera, intertwining silence into the tumult of the collective trance, Uzu builds the immersive account of an event and conserves the tension required to evoke the brutal assault. Somewhere between visual ethnography and war reporting, a sensorial choreography imbued with violence, in submission to the chief.

Cinema
THE SCIENCE OF FICTIONS
In 1962, Siman, a solitary farmer, came to Gumuk, sandy bare land. Siman was witnessing a shooting of a fiction film about man landing on the moon. It was an unlucky day for him, Siman was caught by the army and got his tongue chopped off.Soekarno, the first president of Republic Indonesia, came to Gumuk, brought with him a Bolex 8mm camera. From the distance, he made a “the making of” man-landing-on-the-moon film. And the politics went so wrong. Under the new regime, A New Order of Soeharto, Siman was then being named as an insane person because he often moves stupidly, acting as if he is walking on the moon. In the village, Siman built a strange cubical building looking like a robotic machine that he saw in the sands. Siman designed an astronaut costume, and always uses a white helmet every time he goes out of his house. All the villagers agree that Siman is insane, but what he did is actually words and the only way he knows to show the truth. He is the only one who knew about the worlds biggest lie.