concrete

Installation
The Voice of Inconstant Savage
Commissioned for the Engawa – Japanese Contemporary Art Season programme organized by Calouste Gulbenkian Museum's Modern Art Center, The Voice of Inconstant Savage is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings
Sombat Simla: Master Of Bamboo Mouth Organ
Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Event/Workshop
Gong Therapy
Raw and remixed field recordings of gong orchestras throughout southeast Asia. Recorded, assembled, and remixed by Yasuhiro Morinaga for Radio is a Foreign Country. Yasuhiro Morinaga is a sound artist and filmmaker living in Tokyo. After graduating Tokyo University of the Arts, Yasuhiro has carried out field recording expeditions documenting the origins of musical instruments and the soundscapes of shamanic healing rituals throughout southeast Asia (see www.the-concrete .org). PLAYLIST Ambience: (Toraja group), Rambu Solo (Funeral ceremony) from Toraja, Sulawesi Island Tau Dou / (Tau Humba group), Sumba Island Harvesting / (Tau Humba group), Sumba Island Funeral / (M’nong + Krung groups), Mondalkiri, Northeast Cambodia Ma Badong Chanting / (Toraja group), Toraja, Sulawesi Island Gong Practice by Yasuhiro Morinaga / Bali Island Manang Sirang - chanting / (Dayak Iban group) West Kalimantan, Borneo Island Cut the Bamboo, / (M’nong Prang group), Central highland of Vietnam Hail / (Ede group), Central Highlands of Vietnam Guarding Rice Seeds / (Makassar group) Makassar, Sulawesi Island Daily Routine for everyday life / (Krung group), Ratanakiri, Northeast Cambodia Hedung Dance / (Lamaholot group), Flores Island Balangbang / (Kanakanaey group), Northern Luzon Island A Month after the Death / (Bahnar group), Central Highland of Vietnam Sole Oha Ritual / (Lamaholot group), Flores Island Hsaing Waing Remixes by Yasuhiro Morinaga, Yangon, Myanmar Ambience: (Toraja group), Rambu Solo (Funeral ceremony) from Toraja, Sulawesi Island

Installation
Sony at Milano Salone
ソニーが提案するホームプロダクツの新たなデザインコンセプト、モノリシックデザインを核に、その世界観を発展させて生まれたアーキタイプ（原型）をミラノ国際家具見本市、ミラノサローネで展示します。シンプルで美しいデザインを訴求したモノリシックデザインの根底にある「物事の本質を追求する」というコンセプトは、空間における製品の佇まいだけでなく、生活空間におけるホームエンタテインメントのあり方をも変えていく可能性を秘めています。「光」「音」「映像」を融合させて生まれた実験的な展示を通じて、生活空間における新たな可能性を提案します。

Performing arts
GONG ex MACHINA
A sonic theatre "Gong ex Machina" is created based on the sound composition. The event will also highlight and develop the presence of sounds as its anchor. “Gong ex Machina”, is a word play from a technical term in ancient Greece in the 5th century: Deus ex Machina, which more or less means God in or out of the machine. The term refers to the technique to present actors playing as gods on the stage of a Greek tragedy using equipment like cranes, moving up and down, or a trap door, to allow the actor coming from below the stage. Hence, Gong ex Machina, a gong in or out of the machine. The concept of the performance evolves from a reflection following an extensive research by Morinaga on the gong culture throughout South East Asian countries. Gong ex Machina also stems from the history of an encounter between music or sound cultures and the modern technology of sound recorder and player: phonograph or gramophone. Similar to other encounters between tradition and modernity—happened against the background of the industrial revolution and European colonialism in the 17th to 20th century—the encounter of gong culture with gramophone is a story of a complicated acquaintance. Apart from stories of adaptation and appropriation are also stories of distortion and manipulation. It was an encounter that changed the way we experience and understand music, in particular, or sounds in general.