The project looks at Ibsen’s Peer Gynt as a courageous tactical manual of exploring and intentionally getting lost in the world. Looking at the world from some corner of Asia, Peer Gynt encourages us to travel, to restlessly seek and question, to uncover and un-map the seemingly mapped global world and politics. Peer Gynt calls for a different world map and this project seeks to delve into the call.

One day, Tantri comes to realise she will not have much more time with her bedridden twin brother Tantra, who is losing his senses one by one. Grappling with this reality, Tantri finds solace in the deepness and the darkness of night. Under a full moon, she dances, finding herself between reality and imagination, loss and hope. Tantri experiences a magical and emotional journey into womanhood that eclipses Tantra’s fading life. The Seen and Unseen (Sekala Niskala) is a new performance work, a cross-cultural collaboration between artists from Indonesia, Japan and Australia. Inspired by Indonesian filmmaker Kamila Andini’s film The Seen and Unseen, which has been described as “a truly singular film” (Cinema Scope) and “a haunting and hypnotic interpretation…rooted in Balinese arts and culture” (Variety). This dance-theatre production is a visual feast incorporating dance, live music and song, and features an electronic score, creating a blend of traditional Balinese dance movement with a contemporary approach to theatre. Driving this production is the Balinese philosophy of Sekala Niskala (“the seen and unseen”), a fundamentally dualist spiritual structure that describes what we cannot see as having equal value to what is seen in the world.