concrete

Installation
The Voice of Inconstant Savage
Commissioned for the Engawa – Japanese Contemporary Art Season programme organized by Calouste Gulbenkian Museum's Modern Art Center, The Voice of Inconstant Savage is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings
Sombat Simla: Master Of Bamboo Mouth Organ
Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Event/Workshop
Gong Therapy
Raw and remixed field recordings of gong orchestras throughout southeast Asia. Recorded, assembled, and remixed by Yasuhiro Morinaga for Radio is a Foreign Country. Yasuhiro Morinaga is a sound artist and filmmaker living in Tokyo. After graduating Tokyo University of the Arts, Yasuhiro has carried out field recording expeditions documenting the origins of musical instruments and the soundscapes of shamanic healing rituals throughout southeast Asia (see www.the-concrete .org). PLAYLIST Ambience: (Toraja group), Rambu Solo (Funeral ceremony) from Toraja, Sulawesi Island Tau Dou / (Tau Humba group), Sumba Island Harvesting / (Tau Humba group), Sumba Island Funeral / (M’nong + Krung groups), Mondalkiri, Northeast Cambodia Ma Badong Chanting / (Toraja group), Toraja, Sulawesi Island Gong Practice by Yasuhiro Morinaga / Bali Island Manang Sirang - chanting / (Dayak Iban group) West Kalimantan, Borneo Island Cut the Bamboo, / (M’nong Prang group), Central highland of Vietnam Hail / (Ede group), Central Highlands of Vietnam Guarding Rice Seeds / (Makassar group) Makassar, Sulawesi Island Daily Routine for everyday life / (Krung group), Ratanakiri, Northeast Cambodia Hedung Dance / (Lamaholot group), Flores Island Balangbang / (Kanakanaey group), Northern Luzon Island A Month after the Death / (Bahnar group), Central Highland of Vietnam Sole Oha Ritual / (Lamaholot group), Flores Island Hsaing Waing Remixes by Yasuhiro Morinaga, Yangon, Myanmar Ambience: (Toraja group), Rambu Solo (Funeral ceremony) from Toraja, Sulawesi Island

Event/Workshop
最後の話し手たち
世界各国津々浦々の現地の音を拾い集めるワールドミュージックに特化したイベントです。世界を舞台に活躍を続ける写真家の田原桂一氏、アジアを中心にフィールドワークを実践しながら様々な音楽制作を行うサウンドデザイナー森永泰弘氏、日本のアヴァンギャルドミュージックシーンを切り開いてきた灰野敬二氏の３方をゲストセレクターに招き、ゲストバーテンダーとしてファッションシーンを牽引する長瀬哲郎氏がおもてなし役をします。

Publication
Yasuhiro Morinaga + Roberto Paci Dalo 『Japanese Girls at the Harbor』
『Japanese Girls at the Harbor』
CONCRETEが送るCDリリース第二弾は、日本の無声映画『港の日本娘(監督:清水宏)』から想像するサウンドスケープを、サウンドデザイナーの森永泰弘とイタリアを代表するマルチメディア・アーティストのロベルト・パチ・ダロによって作り上げた作品です。森永による多彩稀な録音のテクニックとライブエレクトロニクス、パチダロによる編集技術とクラリネット演奏とが組み合わさって、無声映画における音響作品というユニークな側面を打ち出しました。 映画が撮影された横浜での録音、フィルムとデジタルが織りなす電子音、過去と現在の音環境や文化の多様性を互いに検討しながら、映画の持つ「時間」に沿いながら制作された本作は、森永とパチダロが推進するプロジェクト『SOUNDGRAPH』の第一弾作品です。『Soundgraph』とは、無声映画の音響化を文化学的な側面から捉え、映画特有の物語構造と時間に沿って音響の制作が行われるものです。今後、様々なアーティストがこのプロジェクトに参加する予定です。